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SINGERS OF DISTINCTION
Review of
Eastbourne Choral Society concert at the Town Hall by Robin Gregory –
Eastbourne Gazette 19 July
2006
When Eastbourne
Choral Society presented its plans to perform Mozart’s Requiem on July 8 at the
Town Hall those who knew this sublime music wondered if 50 minutes would be
rather brief for a full concert. Rumour was rife concerning other items’ and
there were whisperings about ‘special’ soloists. In the event, a full house took
a chance and was richly rewarded with an imaginative all-Mozart programme which
well repaid its willingness to take things on trust. Several secret weapons were
revealed by the programme. Locally-based international baritone Jozik Koc was
joined by three of the Royal Academy’s most vocally-distinguished graduates, all
of them sponsored for this concert by the Richard Lewis/Jean Shanks Trust.
Since Elizabeth Muir-Lewis passed the conductor’s baton to John Hancorn, her
influence has made it possible for Eastbourne to enjoy singers of such
distinction and promise. And, in this concert, John Hancorn brought his own
expertise as a singer to bear on large forces performing with passion and
discipline.
The first three minutes (Ave Verum Corpus) showed what we were to enjoy as the
Eastbourne Choral Society’s tonal balance was perfect from the first bar. Then
the strings of the Eastbourne Players led by Sofia Bartlette gave Eine Kleine
Natchmusik so spirited a performance that they had to wait for spontaneous
applause between the movements.
Then it was time to unleash three of the singer soloists to excerpts from The
Magic Flute. Jozik Koc charmed the birds from the trees, Allan Clayton looked
enraptured upon his beloved’s image and Kishani Jayasinghe was both soloist and
duettist. This was singing of real distinction. Kishani was the soloist in
Laudate Dominum, soaring above chorus and orchestra and organ with an ease which
might have justified a slower tempo. After the interval the Requiem Mass. And in
this passionate performance we were indeed able to lose ourselves in the glory
of the music. The soloists have few individual moments but are required to show
individual brilliance while listening to their fellows. This was as good a
quartet as you d hear anywhere now with the notable contribution of alto Lucie
Spickova who recently won the Elena Gerhardt Lieder Prize at the Royal Academy.
Conductor, organist Nick Houghton, choir and orchestra rose to the occasion,
sending an appreciative audience home moved and uplifted by Mozart’s last
composition.
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